The observation of soil erosion in a small puddle suggested a leaching of colour caused by one element on another, and a good starting point for a painting. Working in themed series means that I work on a number of paintings at any one time. This means that some are abandoned because they just don’t seem to come together. But others, like this one, are set aside and tantalise with the promise of possible resolution. The advantage of this delay is that with time thought processes can slightly alter or a painting can offer up a solution; this could be a radical overhaul or a slight change of colour,tone or detail, or simply an insistence that the original idea was strong enough after all. After some doubt the original conviction returned sufficiently to press on to completion.

Leaching Yellow (dyptych) 100x134cms Oil on linen

These prints have been made using a combination of processes which start with an initial study that is used as the starting point for a monotype on glass. The monotype is then used as the starting point for the final digital print.

Birch Wood 25x35cms

Burnt Bush 30x30cms

Red Shadow 30x30cms

Accidental 30x25cms

Red Earth 24x34cms

Orange Run 26.5x34cms

Green Flash 30x33cms

Reeds Cuckmeere 27x40cms

 

Autumn reflections on time spent in the landscape: although the starting points may be site specific notations in the landscape, each studio based work is a result of decisions made during a partly controlled process of spilling, staining and deliberate mark-making with mixed media on paper.

Autumn 28x42cms

Leaf 40×29.5cms

 

 

 

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